Журнал "IKON" издается Центром иконографических исследований при Факультете гуманитарных и общественных наук Риекскского университета, Хорватия. Издание посвящено различным темам, связанным с христианским искусством, в том числе современным. Основан в 2008 году, выходит ежегодно.
В этом номере:
Aby Warburg and the Afterlife of Antiquity: Morphology and History
Claudia Cieri Via
Afterlife of Antiquity: Historical Meanderings
Han Lamers
Nachlebende, Nachleben: Vehicles of Afterlife in (Some) Images and Words of the Warburg Library
Katia Mazzucco
From Rhetoric to Art: Alberti‘s Theorisation of Visual Arts and Its Political Reason
Rebeka Vidrih
Reused Roman Sarcophagi and the Emergence of Romanesque Sculpture in Northern Spain
Doron Bauer
The Motion of Celestial Bodies in Medieval Iconography: Christian Assimilation of Ancient Cosmology
Romana Rupiewicz
Andrea Mantegna and the Iconography of Mourners: Aby Warburg’s Notion of Pathosformeln and the Theory of Aesthetic Response
Fabio Tononi
Afterlife Studies and the Occasio Grisaille in Mantua (School of Mantegna, 1495-1510)
Barbara Baert
When did Amphitrite Cross the Tyrrhenian Sea? Some Reflections on the Appearance of Grisaille, Myth and the Classical Renaissance Style in the Periphery of the Crown of Aragon
Mauro Salis
Fritz Saxl as Reader of Aby Warburg’s Sassetti Essay
Stephanie Heremans
Ancient Survivals, Ingenious Meanings: Iconographic Echoes and Symbols of Dante’s Iphigenia in the Sienese Art of the Early Renaissance
Simona Drăgan
Ancient Greek Figures in Renaissance Germany via Italy: Cyriacus of Ancona’s Drawings and Their Distorted Perception
Thodoris Koutsogiannis
Da Ciriaco a Sandro: Modelli culturali e figurativi dell’Antica Grecia dai viaggi del Pizzecolli ai dipinti di Botticelli
Giacomo Montanari
From War Hero to Slave to Love: On the Reception of Achilles on Scyros in the Renaissance
Alessandra Galizzi Kroegel
Hermaphroditus and Iphis: Texts and Images from two Ovidian Myths to Visualize Sexual Ambiguity in the Early Modern Age
Giuseppe Capriotti, Francesca Casamassima
The Afterlife of Greece: Warburg’s Nietzschean Critique of Winckelmann
Lasse Hodne
Roman History Themes for Andrea Doria’s Palazzo del Principe
Laura Stagno
“Love is a fire that burns unseen”: The Reception of Greek Erotic Representations in Alciato’s Emblemata and Camões
Filipa Araújo
Resemiotization of Eastern Adriatic Antiquities: Uses and Abuses of the Ancient Past
Jasenka Gudelj
Ancient Water-God in the Residences of Early Modern Dubrovnik
Antun Baće, Maja Zeman
Antique Inspirations in the Ideological Programmes of Artworks of King Stanisław August’s Patronage (1764-1795)
Agnieszka Skrodzka
Adapting Antiquity: References to Classical Literature on Early Modern Swedish Medals
Ylva Haidenthaller
Classical Themes as Iconographic Motifs in Historical Allegorical Painting: Examples by Gustav Klimt in the Rijeka Municipal Theatre and Ivan Tišov at the University Library in Zagreb
Irena Kraševac
Maritime Parnassus and the Iconographic Program of the Main Façade of the Municipal Theatre of Rijeka
Palma Karković Takalić
Lost and Found: Archaeological Fragments and Contemporary Art
Claudio Zambianchi
”The Infallible Sign of the Destiny”: Reflections on the Iconography of the Myth of the Foundation of Rome in the Art of the Fascist Era
Rita Ladogana, Ciro Parodo, Marco Giuman
Heaps of Rags and Double Visions: The Interpretation of the Classical Venus in Arte Povera
Roberta Minnucci
Idyllic, Pastoral and Abstract: Cy Twombly’s Reinvented Arcadia
Anthi-Danaé Spathoni
Classical Mythology as Satire: The Realities of a ‘New’ South Africa in Diane Victor’s Birth of a Nation Series
Karen von Veh
Existence and Transience: The Ancient Idea of Number in Conceptual Art
Jarosław Janowski
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